Biography of William Blake

Portrait of William Blake

William Blake was an artist, illustrator, poet and visionary in the eighteenth/nineteenth centuries.

When and Where was he Born?

28th November 1757, 28 Broad Street, Golden Square, Soho, London, England.

Family Background:

William Blake was the second of five children. Son of James, a hosier, and Catherine.


Taught by his mother. In turn he taught his own sister and then his wife. Thought to have attended Henry Par’s drawing school in the Strand, London at the age of ten. Royal Academy Schools, London.

Timeline of William Blake

1767: Birth of his favourite brother, Robert on 4th August. It was around this time that he had his first vision of angels sitting in the trees as he walked across Peckham Rye. He enters Henry Pars drawing school at 101 The Strand.

1769: William Blake begins writing poems at the age of twelve.

1772: He is apprenticed to the engraver James Basire in Great Queen Street, Lincoln’s Inn Fields, London on 4th August.

1774: Blake is sent by Basire to make drawings of the old buildings such as Westminster Abbey.

1779: He is admitted to the Royal Academy Schools on 8th October (then located at Somerset House) as an engraver.

Somerset House
Somerset House, London. The former home of the Royal Academy of Arts amongst other institutions (copyright Anthony Blagg)

1780: Blake exhibits for the first time at the Royal Academy of Arts. on the 6th June he gets caught up in the mob liberating Newgate Prison during the Gordon Riots and is “borne aloft by the crowd”. He begins a series of engravings for the radical commercial publisher Joseph Johnson.

1782: Blake’s brother Robert is also admitted to the Royal Academy Schools as an engraver. On 18th August he marries Catherine Boucher, a poor illiterate girl and daughter of a market gardener, at St. Mary’s Church, Battersea. He moves in with his new wife at 23 Green street, Leicester Fields, London, not far from Sir Joshua Reynolds. (The President of the Royal Academy).

1783: He receives finance from John Flaxman and the Revd A.S. Mathew for the printing of “Poetical Sketches” although the work is not published.

1784: Blake’s father dies and is buried on the 4th July. Blake sets up a print shop with a former colleague at Basire’s although only two prints are published before the partnership dissolves.

1785: He exhibits four works at the Royal Academy during May.

1787: He looks after his youngest brother Robert during the final weeks before he dies of consumption (Tuberculosis).

1788: He produces first works using his method of relied-etched illuminated printing which idea he said came to him with a vision of his dead brother Robert.

1789: William Blake and Catherine sign a declaration on 13th April that they believe in the religious doctrines of Emanuel Swedenborg however he never actually joins the church and later goes on to attack its views in “The Marriage of Heaven and Hell.” He publishes the “Songs of Innocence.”

1790: Blake moves to 13 Hercules Buildings, Lambeth.

1791: The first part of his “The French Revolution” is printed for Johnson but the whole project is quickly abandoned due to the political climate. He completes engravings for Mary Wollstonecraft’s book “Original Stories from Real Life”.

1792: Death of William Blake’s mother.

1793: His prospectus of engravings and illuminated books for sale is published on 10th October.

The Ancient of Days. 1794. (British Museum)
The Ancient of Days”. 1794. (British Museum)

1795: William Blake designs and produces his first large colour prints. He is commissioned to illustrate Edward Young’s “Night Thoughts”.

1796: He illustrates George Cumberland’s “Thoughts on Outline”.

1797: Blake is commissioned by Flaxman to illustrate Thomas Gray’s “Poems” for his wife.

1799: He completes his first work for Thomas Butts who was to become his most frequent and crucial patron.

1800: Blake moves to a cottage at Felpham, near Bognor Regis in West Sussex on 18th September.

1802: The first series of Ballads by Hayley are designed and engraved by Blake with fourteen of his drawings.

1803: William Blake throws a soldier, called John Scholfield, out of his garden and is reported to have cursed the name of King George the Third and is arrested for sedition.

1804: In January Blake is acquitted at the sedition trial in Chichester which is held in the Guildhall. He decides to move back to London afterwards and takes up residence at 17 South Molton Street, near Oxford Street.

Chichester Guildhall
The Guildhall in Chichester, West Sussex where Blake’s trial was held (copyright Anthony Blagg)

1807: A portrait of William Blake by Thomas Phillips is exhibited at the Royal Academy in London.

1808: He produces illustrations to John Milton’s “Paradise Lost”. He completes “A Vision of the Last Judgment” for a commission by the Countess of Egremont.

1809: An exhibition is held of his own work at 28 Broad Street in the house of James, his brother, during May. He is described in “The Examiner” newspaper by Robert Hunt as “an unfortunate lunatic”.

1810: His exhibition is extended to June. Stodhard’s rival painting about Geoffrey Chaucer and the Canterbury pilgrims causes a breach in their friendship.

1812: William Blake exhibits four works as a member of the Associated Painters in Watercolour.

1815: In June Blake visits the Royal Academy to copy the cast of the Laocoon for Abraham Ree’s “Cylopedia”.

1816: Blake is included in “A Biographical Dictionary of the Living Authors of Great Britain and Ireland”.

1818: He is introduced to John Linnell in June who becomes an important patron. On the 12th September Linnell introduces him to the painter John Constable. He is also introduced to Samuel Palmer and other artists who later form the group “The Ancients”.

Memorial plaque to Blake in the crypt of St Paul’s Cathedral, London (copyright Anthony Blagg)

1820: The first copies of “Jerusalem” are produced.

1821: William Blake moves to No 3, Fountain Court, The Strand.

1823: He has his life mask taken by James Deville on 1st August. Linnell commissions illustrations to the “Book of Job”.

1824: Linnell commissions him to illustrate Dante’s “Divine Comedy”.

1827: Catherine becomes Linnell’s Housekeeper after the death of Blake.

(1828): Catherine moves to 20 Lisson Grove, to become Frederick Tatham’s housekeeper.

(1831): Death of Catherine.

When and Where did he Die?

12th August 1827, 3 Fountain Court. London, England. One of the witnesses said just before he died he burst out singing of the things he saw in heaven. He was largely unknown at his death but his reputation was finally made later in the nineteenth century.

Age at Death:


Written/Creative Works:

1783: “Poetical Sketches.”
1788: “There is No Natural Religion and All Religions are One.”
1789: “The Book of Thel”. “Songs of Innocence.”
1791: “The French Revolution.” “Visions of the Daughters of Albion.”
1792: “Songs of Liberty.”
1793: “America: A Prophecy.” “The Marriage of Heaven and Hell.”
1794: “Songs of Experience.” “The First Book of Urizen.” “Europe.” “The Book of Los.”
1795: “The Book of Ahania.” “The Song of Los.”
1804-20: “Jerusalem: The Emonation of the Giant Albion.”
1808: “Milton.”
1809: “A Descriptive Catalogue of Pictures.” “Poetical and Historical Inventions.”
1811: “Sir Geoffrey Chaucer and the Nine and Twenty Pilgrims.”
1818: “For the Sexes: The Gates of Paradise.”
1820: “Jerusalem.”
1823: “The Book of Job.”
1824: “Dante’s Divine Comedy.”


18th August 1782 to Catherine Boucher, a poor illiterate girl and daughter of a market gardener, at St. Mary’s Church, Battersea.

Site of Grave:

Bunhill Fields Burial Ground, City Road, Finsbury, London, England. Visitors place pennies on the headstone in a tradition which is said to be money to pay the ferryman across the River Styx to heaven.
NOTE: There are now two headstones. On the 12th August 2018 a new stone was unveiled marking the exact location of his grave which was lost. A Portuguese couple, Carol and Luís Garrido, rediscovered the exact burial location after 14 years of investigation and the Blake Society organised its installation. The new stone is inscribed “Here lies William Blake 1757–1827 Poet Artist Prophet” above a verse from his poem Jerusalem.

William Blake's Grave
Headstone memorial for William and Catherine’s graves. This was placed over William’s grave in 1927 on the anniversary of his death but moved in 1965 to its present spot when the lawns in Bunhill Fields were created. The Blake Society have established the actual sites of the two graves. (copyright Anthony Blagg)

Places of Interest:


Cecil Higgins Gallery, Bedford.


City Museum and Art Gallery.


Fitzwilliam Museum, Cambridge.


Arlington Court.


Bolton Art Gallery.


City Museum, Leicester.


Borough of Lambeth Archive.
British Library.
British Museum.
St. James Church, Piccadilly. (Baptised there).
Tate Britain, Southwark.
Victoria and Albert Museum.
28 Broad Street, Golden Square, Soho. (Lived there).
3 Fountain Court, The Strand. (Lived there).
Lambeth. (Lived there).


City Art Gallery.
Whitworth Art Gallery.


Ashmolean Museum, Oxford.


Brighton Art Gallery.
Chichester Guildhall.
Felpham, near Bognor Regis. (Lived there).
Petworth House.


Walsall New Art Gallery.


Ferens Art Gallery, Hull.


Pollock House, Glasgow.
City Art Gallery and Museum, Glasgow.

Further Information:

In 1957 a memorial to Blake and his wife was erected in Westminster Abbey. Another memorial lies in St James’s Church, Piccadilly, where he was baptised.

The Blake Prize for Religious Art was established in his honour in Australia in 1949.

Please see The Romantic for the influences on William Blake’s work.

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